I saw stones that had come
From a great purple distance
Huddle around the front door.
Charles
Simic
Note
Slipped Under a Door
I
We moved in with drifting
We moved in with drifting
snow and boxes and stones and pieces
of our old
lives stacked like stove
wood in our arms. In all
of it we discovered a foundling,
of it we discovered a foundling,
and a new crevice or crack
needed, or an altar,
needed, or an altar,
to be a god grim or grinning again
momentarily, some
of it is now being
snowed on, what was used in our last
house to prop the unleveled door
house to prop the unleveled door
had gone and fallen again off
a small cliff
of moss again, neglected.
a small cliff
of moss again, neglected.
Some of it is under cover and still
in boxes, like feathers
of dead birds, no use at all
for what they were created
and made to do: lift the you
that was in the breast-
bone of the crow. You know
I have a penchant for crows, don't
you? I’ve collected their feathers
for years and their caws for that
matter, caught offerings on abandoned
woods roads
I have a penchant for crows, don't
you? I’ve collected their feathers
for years and their caws for that
matter, caught offerings on abandoned
woods roads
and they hang some above my head
on a wall in my new old
home and make me
home and make me
imagine make me regret
make me briefly insane.
II
II
brief and momentarily
as shifts in definition
and being and not all linear.
Have you?
Have you?
Despite that I sometimes
frantically want it to be
that if it is nothing but arterial,
that if it had a specific
beginning it could never be
pinpointed or precisely tracked
with an eye or a finger
or even sitting close and still
like an ear? I’ve
gone
way off the rails here. I’ve
lost
some compass of my belongings,
simple as pots and pans and bedding,
simple as coffee and the kettle
it’s made in. I can’t
get back.
But maybe my cheeks can,
taking in the fragrance of the day.
Maybe my tongue
will come close enough
to what I was aiming for though even
that is washed off as quickly
as it is set down, and the rest
of it is up to the nose, how I
draw the thing back
to my face and lips
time and time again, how
the smell of it drifts
and wears thin
and just as someone is calling
out one of the several names
I am known by and it bites me
sharp and draws blood
and I blush and don’t hesitate
to put it to my tongue and I’m
okay but am asked anyway
but can’t say why
only it’s nothing really
it’s nothing. It isn’t
anything
I packed in the van
but like a stray it followed me
and who among me can shake
what follow them thus
what follow them thus
and who among me trusts it
is will be there until spring
until what’s fallen on it
from the start
from the start
of November melts off entirely?
III
III
and I kick myself
even though they’re only
stones, oceans and oceans
of stones stowed
and stowing
like old walls
like stray animal pounds
of stones stowed
and stowing
like old walls
like stray animal pounds
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