It's Rare
after reading Cherry Blossoms
by Tess Gallagher
but sometimes first reads are so stunning
and cast such a spell they beg to never
be read again
and only in the very least held
held in the taut bowl of the tongue
like the uncasked whisky
after its waited the way
whisky waits for years and years
in the hidden billet
of its maker. Say you were charged
with waiting like that, all that time while
a favored tree comes to flower, say
that such an orchard was
planted as a chroniker
and it made modesty an art form
and every year refused
a really big show. Say the bees
alone appreciate
its unfecund beginnings
and take the news
back to their hive as their own
devotion. Say the only way
to know it's all ready -
the poem - the spirit - the honey
is to watch the way a word, a breath,
a hive comes alive at precisely
the right hour and time
the queen gets briefly loosed of her duties
and bivouacks into the crony
undergrowth and some of her all
ten thousand virgins girdle her
while the far off efflorescence,
sssssshocked with all that calling,
is song drop song drop song drop
on and along their petals in a sort
of May squall that to watch
in the debouching heat of the morning
is to unbung the abiding into the copper ladle,
to sniff with the expertise
of a goddess. And because
the tongue is always the last to know,
if you think about how
breath works, how taste
works. Try this: breathe. Breathe
all the way in to where
the tremor begins
and hold it there. Hold it
while all around the outside of you
knocks and knocks to get in.
And it's days (and by then
it's changed and changed)
before you can
let it.
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